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• Audio / Video Engineer Showorks Audio Visual
• PT Instructor Pool - Animation Madison Area Technical College
• Tenure-track Position In Narrative Film/Video Production Tenure-track Position In Narrative Film/Video Production
• Assistant Director Media Arts and Animation/VGP The Art Institute of California- San Francisco
• Faculty in Film, Video, and New Media Production School of the Art Institute of Chicago
• Production Artist Sunrise Systems, Inc.
• VIDEO EDITOR Montgomery County Government
• Video Conference Technician Software Folks
I Excuse me, but..
Pulling out cards - then copying them to a laptop - or pc - then varifing the content
then reformatting, then color-coding (so ya dont mix um up), then putting them back in...
Is it just me or did we just take a job one cameraman can handle and add more people - more noise shuffling around - and more touching the camera - which can only mess up the shot. Give me a break! This is Idiocy! And when am I gonna get a HDMI 10-bit input for my notebook - its been a year and a half! Finish one technology before you start another! >>
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Post a (Very) Large P2 Project with Avid Unity ISIS and Avid Media Composer 3.0
The key to this workflow is making sure you’re in the correct project type for the step. To assign a tape name to P2 clips or transcode to Avid DNxHD, you must be in 1080 mode. To transcode to low-res, SD (NTSC) mode, and to relink to P2, you must be in 720 mode and set the raster type to DVCPro HD. »
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2K Red and HDV Footage in an Avid DS Workflow
Co-producers Richard Shaw and Lee Cantalon have been working all their hip-hop connections to collect material for The Wordz from the Street, a collection of original music based on the core teachings of Christianity. »
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Apple Final Cut Server
Final Cut Server is a server-based database application that is, as one would expect, highly integrated with Final Cut Pro and Xserve. »
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Hands On Sony EX (pt. 3)
In the third installment of Abel Cine Tech's seminar on the Sony XDCAM EX, cinematographer/producer David Leitner talks about the exceptional lens, shooting handheld, tapeless workflows and even weighs in on the MPEG-2 Long-GOP versus AVC-Intra codec debate. »
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2008 Streaming Guide
Is streaming video beginning to take off? Are there technical hurdles that might stand in the way of its being widely adopted? And will growth bring new opportunities for independent video and film producers? »
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The Summer of Red
As the summer of 2008 arrived we at the Filmworkers Club, Nashville, spent a lot of time testing and re-testing a number of different options and workflows for posting Red footage in order to handle four very different projects shot with Red that required very different workflows. One of the great things about Red is you have so many options when it comes time to post. Of course, this is also one of the most difficult things about Red. »
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Nike "Spider"; Agency - Wieden + Kennedy Tokyo; Production Company - Elastic; Director - Andrew Hall; VFX/Post - a52... for more credits and to see past "Top Spots" click here.
... SIGGRAPH Trailer- WATCH...
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| STUDIO DAILY © 2008 Access Intelligence LLC. All Rights Reserved. |
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