BEST EDITED FEATURE FILM (DRAMATIC):
The Descendants
Kevin Tent, A.C.E.
The Girl with the Dragon Tattoo
Angus Wall, A.C.E. & Kirk Baxter, A.C.E.
Hugo
Thelma Schoonmaker, A.C.E.
Moneyball
Christopher Tellefsen, A.C.E.
War Horse
Michael Kahn, A.C.E.
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
The Artist
Anne-Sophie Bion & Michel Hazanavicius
Bridesmaids
William Kerr & Michael L. Sale
Midnight in Paris
Alisa Lepselter
My Week with Marilyn
Adam Recht
Young Adult
Dana E. Glauberman, A.C.E.
BEST EDITED ANIMATED FEATURE FILM:
The Adventures of Tintin
Michael Kahn, A.C.E.
Puss in Boots
Eric Dapkewicz
Rango
Craig Wood, A.C.E.
BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
Curb Your Enthusiasm: “Mister Softee”
Roger Nygard
Curb Your Enthusiasm: “Palestinian Chicken”
Steven Rasch, A.C.E.
Modern Family: “Express Christmas”
Steven Rasch, A.C.E.
BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
Breaking Bad: “End Times”
Kelley Dixon
Breaking Bad: “Face Off”
Skip MacDonald
Friday Night Lights: “Always”
Angela M. Catanzaro
The Good Wife: “Real Deal”
Hibah Frisina, A.C.E.
The Walking Dead: “Save the Last One”
Hunter Via, A.C.E.
BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Boardwalk Empire: “To the Lost”
Tim Streeto
Game of Thrones: “Baelor”
Frances Parker, A.C.E.
Homeland: “Pilot”
Jordan Goldman, David Latham
BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
Cinema Verite
Sarah Flack, A.C.E. & Robert Pulcini

Downton Abbey, Episode 1.1
John Wilson, A.C.E.

Mildred Pierce, Part 1 

Affonso Gonà§alves & Camilla Toniolo
BEST EDITED DOCUMENTARY:

Cave of Forgotten Dreams

Joe Bini & Maya Hawke
Freedom Riders
Lewis Erskine & Aljernon Tunsil
George Harrison: Living in the Material World
David Tedeschi
BEST EDITED REALITY SERIES:
Anthony Bourdain – No Reservations: “Haiti”
Eric Lasby
Beyond Scared Straight : “Chowchilla”
Rob Goubeaux, A.C.E., Paul J. Coyne, A.C.E., Heather Abell, Audrey Capotosta, Maura Corey, Jeremy Gantz & Molly Shock
Whale Wars: “Race to Save Lives”
Eric Myerson, Pete Ritchie & Josh Crockett
Final Ballots will be mailed on January 23 and voting ends on February 9. The Blue Ribbon panels where judging for all television categories and the documentary film category take place January 29. Projects in the aforementioned categories are viewed and judged by panels comprised of professional editors (all ACE members). All 600+ ACE members vote during the final balloting of the ACE Eddies, including active members, life members, affiliate members and honorary members.
The ACE Eddie Awards is considered an integral precursor to the Oscars. No film has won Best Picture at the Oscars without also having received at least a Best Editing nomination since Ordinary People in 1981. Since the ACE membership boasts a very high crossover within its membership of Academy members, it is considered a very accurate bellwether for the eventual Oscar outcome.
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Topics: Press Release City
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