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| 07|01|2005 |
My local movie theater is the best location for reading. Credits, that is. Other dedicated credit-readers know the mysteries that can be unearthed simply by reading between the lines as they roll up the... »
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| 06|01|2005 |
By Bob Fisher
Stefan Sonnenfeld, Company 3 Stefan Sonnenfeld is founder, president and managing director of Ascent Media’s Company 3, which operates digital post-production facilities in New York City and Santa Monica... »
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| 06|01|2005 |
By Rodney Charters, ASC, CSC
The season’s last episode takes place at night in downtown Los Angeles, with a big sequence between Kiefer and the bad guys. Director/Co-Executive Producer Jon Cassar and I were reminded of Collateral... »
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| 06|01|2005 |
Interviewed by Mary Ann Skweres
Famed German director Werner Herzog has developed a reputation for exacting standards and unorthodox choices. With Grizzly Man, Herzog turns his searching eye on... »
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| 05|01|2005 |
By Debra Kaufman
Becoming an editor isn't like training to be a doctor or a lawyer. Sure, you can go to film school and get hands-on experience. ... »
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| 05|01|2005 |
By Bob Fisher
Jeff Jur, ASC, and Ric Bota shoot alternate episodes, a tactic pioneered on HBO’s award-winning Carnivale and The Sopranos. Blind Justice revolves around Jim Dunbar, a street-smart New York City detective... »
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| 05|01|2005 |
By Barbara Robertson
When John Knoll swings around from his desk, he comes face to face with a wall-sized line chart that shows the progression of the 1,700 visual effects shots he supervised for Star Wars Episode III: Revenge of... »
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| 05|01|2005 |
Interviewed by Sharon Kennedy
New York’s Ziegfeld Theater last month screened 10 shorts created for Sony and Young & Rubicam’s "Dreams" project... »
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| 04|01|2005 |
Interviewed by Bryant Frazer
It’s hard to imagine a more golden Hollywood resume than the one sported by Randy Thom. Since getting his first big breaks recording effects for Apocalypse Now and The Empire Strikes Back, the sound designer has left his aural fingerprints... »
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| 04|01|2005 |
By Bob Fisher
FLASHBACK TO 1982: A young director named Russell Mulcahy telephoned a young cinematographer named Daniel Pearl to chat about an emerging art form called music videos. ... »
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