04|10|2006

James Cameron on the Deep Impact of 3D Movies

By Bryant Frazer

Will 3D save digital cinema, or will digital cinema save 3D? The answer, director James Cameron told attendees at this year’s pre-NAB Digital Cinema Summit, is a little bit of both....  »
04|03|2006

Mark Stetson on Making Superman Fly (And Other Neat Tricks)

By Debra Kaufman

Mark Stetson traded a career as an industrial designer for a gig creating effects for motion pictures....  »
02|01|2006

Tariq Anwar on Collaboration in the Cutting Room

Tariq Anwar is modest about an editing career that includes the iconic American Beauty, Wings of the Dove, Stage Beauty and The Madness of King George. He got his chops editing at the BBC for 18 years, which he calls “the best training possible.”...  »
01|01|2006

Mike Newell Raises His Goblet

Interviewed by Iain Blair

What happens when you put an "actor’s director" in the middle of an effects-driven franchise like the Harry Potter films? First, even Mike Newell, ( Four Weddings and a Funeral , Donnie Brasco ...  »
12|01|2005

Pieces of Dylan Tichenor

Interviewed by Debra Kaufman

Editor Dylan Tichenor grew up watching movies with his father, a wannabe filmmaker with his own 16mm camera. ...  »
11|01|2005

Richard Shepard on Second Acts

Interviewed by Debra Kaufman

Shepard’s career started with a bang — the sound that The Linguini Incident made when it bombed at the box office.Shepard said the movie killed his career before it started. ...  »
10|01|2005

Joan Churchill on Making It in Docs

By Bob Fisher

Joan Churchill will receive the first Lifetime Achievement Award for Cinematography from the International Documentary Association in December. She also recently became the first pure documentary shooter...  »
09|01|2005

Digital Troubadour: Robert Rodriguez

By Debra Kaufman

Who doesn’t know who Robert Rodriguez is? Not just as a one-man studio – he directs, he shoots, he edits, and he even composes music for his films...  »
08|01|2005

Peter Doyle and the Joy of Grading

Interviewed by Debra Kaufman

Do you consider yourself a a pioneering DI artist? There were definitely people before me. We all need to acknowledge the work of [ VFX supervisor ] Chris Watts on Pleasantville. When I saw it, I thought...  »
08|01|2005

Janusz Kaminski Goes to War

Interviewed by Bob Fisher

As War of the Worlds opened this summer, cinematographer Janusz Kaminski was already in Malta shooting his next picture for Steven Spielberg, a still-untitled film focusing on the aftermath of a terrorist attack on the Israeli team during the 1972 Olympic games....  »

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