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| 07|01|2005 |
Interviewed by Debra Kaufman
Music videos launched Harris Savides into a rich and satisfying career as feature film cinematographer, most recently for Gus Van Sant’s Last Days... »
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| 07|01|2005 |
By Barbara Robertson
Who let the animals out of the zoo? They did it themselves in PDI/DreamWorks’ wacky feature animation Madagascar.... »
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| 07|01|2005 |
Interviewed by Iain Blair
Ridey Scott is one of the most influential stylists of contemporary cinema, as such often imitated works as Blade Runner, Alien and Gladiator (which won five Oscars including Best Picture) make abundantly clear.... »
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| 07|01|2005 |
By Debra Kaufman
Troublemaker Studios is as far from a typical Hollywood VFX house as it is from Hollywood itself.... »
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| 06|01|2005 |
By Bob Fisher
A camera mounted on a gyro-stabilized Lev head is rigged to an Ultimate Arm mounted on a Mercedes SL55 tracking for the high-speed Batmobile chase. Using a remote control, an operator can whip the crane around... »
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| 06|01|2005 |
Interviewed by Mary Ann Skweres
Famed German director Werner Herzog has developed a reputation for exacting standards and unorthodox choices. With Grizzly Man, Herzog turns his searching eye on... »
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| 05|01|2005 |
Interviewed by Debra Kaufman
When Catherine Hardwicke made her move into direction, it was after nearly 15 years of making other directors’ pictures look good (Three Kings, Vanilla Sky). As a first-time writer/director she ... »
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| 05|01|2005 |
By Dan Daley
Director Ridley Scott’s epic Kingdom of Heaven is aptly timed. Set in Jerusalem in 1186, this blockbuster chronicle of the first Crusade doesn’t duck the politics of religion and militarism... »
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| 05|01|2005 |
By Barbara Robertson
"On a show for George there are always a ton of things to do for the first time," says John Knoll. "He writes whatever he wants and assumes that we’ll figure it out. He never limits his... »
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| 05|01|2005 |
By Barbara Robertson
When John Knoll swings around from his desk, he comes face to face with a wall-sized line chart that shows the progression of the 1,700 visual effects shots he supervised for Star Wars Episode III: Revenge of... »
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