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| 01|01|2006 |
Interviewed by Iain Blair
What happens when you put an "actor’s director" in the middle of an effects-driven franchise like the Harry Potter films? First, even Mike Newell, ( Four Weddings and a Funeral , Donnie Brasco ... »
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| 01|01|2006 |
Every time director/writer John Stimpson went walking on part of his
property on Wachusett Mountain in Massachusetts, he thought about the
local legend of a haunting that many of his friends claimed to have
experienced.... »
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| 01|01|2006 |
Lew Wasserman was the last of a breed: an old-school Hollywood film
mogul with a spectacular rise and fall. His story intrigued Barry
Avrich, president of Toronto-based advertising agency Endeavor, who has
a track record of directing documentaries about unusual people.... »
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| 01|01|2006 |
By Debra Kaufman
What attracted everyone to work on Stephanie Daley—
including leads Tilda Swinton and Amber Tamblyn — is what
cinematographer David Rush Morrison calls "an amazing script."... »
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| 01|01|2006 |
By Bryant Frazer
Cinematographer Robert Elswit has had quite a year. With two high-profile projects playing on theater screens during Oscar season, he’s become the go-to guy for socially conscious drama — on both Syriana and the monochromatic Good Night, and Good Luck... »
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| 01|01|2006 |
By David Heuring
Cheating Death: Final Destination 3 marks the fourth collaboration between Rob McLachlan, ASC, CSC, and director James Wong. The two previously merged their talent on Final Destination , The One and Willard... »
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| 12|01|2005 |
By Barbara Robertson
When principal photography began on the film Jarhead , the visual effects crew at Industrial Light & Magic expected they would create 89 shots during a scheduled 10 weeks of post-production. ... »
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| 12|01|2005 |
By Larry Getlen
When you’re trying to capture the feel of a specific place on film, it makes sense to go on location and soak up the atmosphere. But when Memoirs of a Geisha director Rob Marshall headed to Japan in search of some early 20th Century flavor, he found the region just felt too modern to work... »
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| 12|01|2005 |
By Bryant Frazer
Cinergy Creative’s Leslie Allen has learned how to squeeze value out of a project from both sides of the camera. This year, leveraging a background in commercials and VFX he tackled his first feature-film project... »
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| 12|01|2005 |
By Bryant Frazer
Last month’s release of a 3D version of Disney’s Chicken
Little on 84 screens in the U.S. was more than just the debut
of Disney’s CG animation strategy.... »
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