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| 12|01|2005 |
By Bryant Frazer
Cinergy Creative’s Leslie Allen has learned how to squeeze value out of a project from both sides of the camera. This year, leveraging a background in commercials and VFX he tackled his first feature-film project... »
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| 12|01|2005 |
By Bryant Frazer
Last month’s release of a 3D version of Disney’s Chicken
Little on 84 screens in the U.S. was more than just the debut
of Disney’s CG animation strategy.... »
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| 12|01|2005 |
By Debra Kaufman
Master Japanese director Kinji Fukasaku ( Battle Royale) is known for movies about war, yakuza crime and social corruption, and for inspiring Quentin Tarantino, who dedicated Japanese release prints of Kill Bill Vol. 1 to him.... »
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| 11|01|2005 |
By Erik Holsinger
For visual effects artists, a software plug-in — a small piece of code
that adds new, often spectacular, capabilities to your editing or
compositing application — can be the trick that pushes a show up to a
Spinal Tap 11. ... »
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| 11|01|2005 |
Interviewed by Iain Blair
Writer-director Cameron Crowe has always marched to the beat of his own drummer, and from Singles to Jerry Maguire and Almost Famous, the semi-autobiographical rock‘n’ roll odyssey which won him the... »
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| 11|01|2005 |
By Bob Fisher
Stephen Goldblatt, ASC, BSC, remembers the genesis of a magic moment in
the cinema rendition of the Broadway musical Rent.
... »
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| 11|01|2005 |
By Matt Armstrong
Taking a break from shooting his new film Inland Empire, the elusively enigmatic filmmaker David Lynch toured universities around the nation to promote transcendental meditation as a means for students to enhance their intellect and well-being... »
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| 11|01|2005 |
If you’re 12 years old, Zathura may be the coolest movie of the year. The fantasy shows what happens when the rules of a sci-fi adventure game become real.... »
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| 10|01|2005 |
By Bob Fisher
Joan Churchill will receive the first Lifetime Achievement Award for Cinematography from the International Documentary Association in December. She also recently became the first pure documentary shooter... »
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| 10|01|2005 |
Interviewed by Bob Fisher
Michael Givens Cinematographer Latest Project: The Celestine Prophecy F&V: Why was there a digital intermediate on a low-budget film? Givens: I suggested a DI partially because we could save money... »
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