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| 06|01|2004 |
Network redesigns are usually lock-step events in brand-wrangling, one reason they’re referred to as "light switches." Not so with Comedy Central, which has been rolling out its street-art... »
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| 04|01|2004 |
By David Fowler
As if camera friendly pooches aren’t enough to capture attention, USA Networks lets graphic design take best in show in promos for its annual telecast of the Westminster Kennel Club Dog Show. Shot on green... »
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| 02|01|2004 |
By Debra Kaufman
Paul Debevec, executive producer of graphics research at the Institute of Creative Technologies in Marina Del Rey, CA, came to the entertainment industry with his thesis on architectural modeling and rendering... »
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| 02|01|2004 |
By Bryant Frazer
OK, we’re not the Academy. But nearly 900 Film & Video subscribers responded to our email survey asking them to pick their favorites in major Oscar categories. The results weren’t even close. The... »
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| 02|01|2004 |
By Barbara Robertson
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| 02|01|2004 |
By Sharon Kennedy
" Sticks and Stones " is a 40-second spot showing objects falling from the sky to the music and lyrics of Nat King Cole’s " L-O-V-E." Actions on-screen reflect what viewers hear in the... »
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| 02|01|2004 |
By Iain Blair
"He has his memory erased," explains visual effects supervisor Greg McMurry ( The Core). "So when he goes to pick up his paycheck, he’s told that he’s already been there before and picked it... »
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| 09|01|2003 |
By Iain Blair
With a demanding slate of visual effects, UPN’s new science fiction series Jake 2.0 demanded superhuman effects work. It was a perfect fit for veteran visual effects producer Sam Nicholson ( C.S.I. Miami... »
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| 08|01|2003 |
By Bryant Frazer
"We don’t want to use the words ‘TV movie’," admits Gray Marshall, whose Gray Matter FX has just finished visual-effects work for the HBO Films production And Starring Pancho Villa As Himself ... »
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