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| 09|01|2005 |
By Debra Kaufman
For a NASCAR sequence in a recent Ford spot, lensed by director Jaume (Collet-Serra) out of production company Believe, KromA took on the job of creating photoreal cars that would be indistinguishable from... »
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| 09|01|2005 |
By Debra Kaufman
When NetZero decided to create a campaign to push its next-generation connectivity, its in-house creative team came up with a concept: A man in a futuristic white room sits at a desk with a computer, out of... »
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| 09|01|2005 |
By Rebecca Merle
Beck’s video "Girl" is one of those puzzles that prompts a pro to ask "How did they do that, anyway?" The challenge was to illustrate the singer’s darkly inflected but light-sounding... »
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| 09|01|2005 |
By Bryant Frazer
How do you effectively promote an upcoming blockbuster without a single frame of footage? You might do it with a clever combination of miniature shooting, motion capture and 3D animation. West Hollywood’s... »
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| 08|01|2005 |
By Debra Kaufman
Director Joseph Kosinski came out of engineering and architecture, where he learned and used CAD programs to design. "While learning those, I realized how powerful they are and how I could use them to... »
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| 08|01|2005 |
By Debra Kaufman
Fashion illustrator/artist Robert Wagt doesn’t do animation but when his work for Alize’s print campaign was sent to Thought Agency and PURE ( New York) as reference, PURE’s creative director Aaron King... »
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| 08|01|2005 |
Director David Fincher returns to music videos with a CGI promo for "Only" by Nine Inch Nails. Flexing his photoreal muscles, Digital Domain VFX supervisor Eric Barba turned an everyday workspace... »
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| 08|01|2005 |
By Michelle Paster
Cartoon Network’s Hi Hi Puffy AmiYumi may just reinvent the way animators think about 2D. Many animated TV shows are still based on pencil-and-paper drawings, which are scanned into conventional animation... »
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| 08|01|2005 |
By Bryant Frazer
Fox’s newest blockbuster franchise, Fantastic Four , is a superhero saga that’s all about characters— that’s why it was critical that the film’s lead VFX house, Giant Killer Robots (GKR), figure out... »
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| 07|01|2005 |
By Debra Kaufman
Troublemaker Studios is as far from a typical Hollywood VFX house as it is from Hollywood itself.... »
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