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| 04|01|2005 |
By Bryant Frazer
Ipostini, the Marina Del Rey post house that handles Showtime’s original features, has been using Final Cut Pro for more than four years. But when it came time to cut the extravagant demon-weed musical... »
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| 04|01|2005 |
Interviewed by Michelle Paster
Chris Landreth Academy-Award winning 3D animator/director On: Ryan This year Chris Landreth won the Academy Award for his animated short about Canadian animator Ryan Larkin, a one-time Oscar nominee... »
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| 04|01|2005 |
By Mary Ann Skweres
Nobody’s paying you to play games for a living — yet. But there’s a new crop of largely Web-based animators who’ve figured out how to make movies on the cheap by leveraging videogame engines to... »
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| 03|01|2005 |
By Debra Kaufman
Sixteen years after the landmark anime hit Akira, director Katsuhiro Otomo is back in the spotlight with Steamboy, 10 years in the making and with a total budget of $22 million — establishing it as the most... »
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| 03|01|2005 |
Interviewed by Bryant Frazer
Tigar Hare Studios created a:60 cinema-resolution trailer for Microsoft
Game Studios’ Halo 2 as well as nine minutes of in-game cinematics for Electronic Arts’ Goldeneye: Rogue Agent — which included... »
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| 02|01|2005 |
By Bryant Frazer
If the results reveal anything about this year’s Oscar race, it’s that the field remains wide open. At this time last year, F&V’s survey correctly showed The Lord of the Rings: The Return of the King... »
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| 02|01|2005 |
By Sharon Kennedy
Director Dougal Wilson of Colonel Blimp Productions, London, first got the idea of parodying the black-and-white ’50s BBC show " Muffin the Mule " (in which a very simple mule puppet dances and does... »
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| 01|01|2005 |
In "Hologram AI," the NFL’s Oakland Raiders, aka Space Raiders, battle the Bronconians in a tongue-in-cheek spot paying homage to space-based television shows... »
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| 01|01|2005 |
By Sharon Kennedy
In "Evolution," the first in a series of three spots produced, directed and posted by Stockholm, Sweden-based Filmtecknarna, directors Boris Navratil and David Nord aimed to convey the heaviness of... »
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| 01|01|2005 |
By Debra Kaufman
Jaguar took to the Internet this fall, with a five-chapter movie of fantasy, longing and escape blending live-action photography with the animation of Peter Chung (The Animatrix, Aeon Flux). The campaign was... »
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