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| 07|01|2005 |
By Dan Daley
If you’re seeking the conventional wisdom governing sound design for commercials, you’re going to be disappointed.... »
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| 05|01|2005 |
By Dan Daley
Director Ridley Scott’s epic Kingdom of Heaven is aptly timed. Set in Jerusalem in 1186, this blockbuster chronicle of the first Crusade doesn’t duck the politics of religion and militarism... »
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| 04|01|2005 |
Interviewed by Bryant Frazer
It’s hard to imagine a more golden Hollywood resume than the one sported by Randy Thom. Since getting his first big breaks recording effects for Apocalypse Now and The Empire Strikes Back, the sound designer has left his aural fingerprints... »
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| 04|01|2005 |
By Dan Daley
Ben Burtt, a sound designer at Skywalker Ranch who has worked on all six Star Wars films, notes that libraries have increasingly become a source for temp scores and character shadings. "Certainly, [music... »
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| 03|01|2005 |
By Dan Daley
Steven Wright’s famous one-liner “You can’t have everything — where would you put it?" has become the ultimate trope for the broadband digital era. Multichannel sound has permeated virtually every... »
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| 12|01|2004 |
By Dan Daley
The Wireless Wonder Martin Talty arrives on set at The Contender, The Apprentice 2, Joe Millionaire and The Real World with an arsenal that includes the Wendt X5 stereo mixer, the Sennheiser MKH-60... »
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| 12|01|2004 |
By Dan Daley
The 1930 film Hell’s Angels was Howard Hughes’ paean to the fighter pilots of World War I who jousted in the skies above France— a film driven by Hughes’ own passion for flying and designing aircraft... »
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| 10|01|2004 |
by Dan Daley
"There’s a lot of things we could try if we only had the time," laments Jonathan Freed as he drives to the Detroit airport in the wake of the Pistons’ championship upset over the L.A Lakers last... »
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| 10|01|2004 |
By Bryant Frazer
"We provide musical solutions to problems," says composer Sherman Foote, co-owner of Big Foote Music in New York City. He’s trying to explain a value proposition that goes beyond just beats, tunes... »
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| 10|01|2004 |
By Dan Daley
Tom Fleischman Sound Mixer Sound Track, NY Latest Project: The Manchurian Candidate F&V: What characterizes the Candidate’s soundscape and how did that affect its mix? Fleischman: This is a... »
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