 |
 |
| 03|01|2006 |
However much you know — or think you know — about HD production, there’s
always more to be learned. Just because you’re an ace HDCAM operator
doesn’t mean you’ll instinctively be able to coax gorgeous images out
of the inexpensive, option-rich handhelds that have exploded onto the
market... »
|
|
|
| 03|01|2006 |
By Bryant Frazer
Kwesi Collisson is one of those guys who seems to do everything -- he's a producer who understands money, but also a crack editor and compositor who likes to get hands-on with his projects.... »
|
|
|
| 03|01|2006 |
By Bryant Frazer
Robert Hoffman moved up in the filmmaking ranks the old-fashioned way — he got lucky. Years of working as a post supervisor and assistant editor paid off when he was post-supervising Ghost World for director Terry Zwigoff.... »
|
|
|
| 03|01|2006 |
By Bryant Frazer
Indies are using NLEs like Final Cut Pro and Avid Xpress Pro because they’re cost-effective – and when filmmakers are strapped for cash, they start working even more creatively with the tools available to them. ... »
|
|
|
| 02|01|2006 |
Tariq Anwar is modest about an editing career that includes the iconic American Beauty, Wings of the Dove, Stage Beauty and The Madness of King George. He got his chops editing at the BBC for 18 years, which he calls “the best training possible.”... »
|
|
|
| 01|01|2006 |
By Debra Kaufman
What attracted everyone to work on Stephanie Daley—
including leads Tilda Swinton and Amber Tamblyn — is what
cinematographer David Rush Morrison calls "an amazing script."... »
|
|
|
| 12|01|2005 |
Interviewed by Debra Kaufman
Editor Dylan Tichenor grew up watching movies with his father, a wannabe filmmaker with his own 16mm camera. ... »
|
|
|
| 12|01|2005 |
By Thomas Jamieson
After the edit had been finished on @radical.media’s 35mm footage for the Microsoft Windows XPA spot "Soccer," the goal was to tell the rest of the story with graphics. An on-screen narrator talks... »
|
|
|
| 12|01|2005 |
By Debra Kaufman
Master Japanese director Kinji Fukasaku ( Battle Royale) is known for movies about war, yakuza crime and social corruption, and for inspiring Quentin Tarantino, who dedicated Japanese release prints of Kill Bill Vol. 1 to him.... »
|
|
|
| 11|01|2005 |
By Bryant Frazer
It’s been five years now since O Brother, Where Art
Thou ushered in the era of the full digital intermediate.
Since then, the DI has become a fixture both at the high end of the
industry... »
|
|
|
|
|
 |
