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| 06|01|2005 |
By Bryant Frazer
When hired to create a series of spots driving viewers from Discovery Networks’ SD channels to Discovery HD Theater, Santa Monica’s Steam decided to do it in full HD style. Steam shot with two Sony F900... »
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| 06|01|2005 |
By Iain Blair
West L.A.-based Sway Studio specializes in high-end 3D and CGI work for commercials, so it was a natural fit when company owner and visual effects supervisor Mark Glaser got the call to work some Sway magic... »
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| 05|01|2005 |
By Debra Kaufman
Becoming an editor isn't like training to be a doctor or a lawyer. Sure, you can go to film school and get hands-on experience. ... »
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| 05|01|2005 |
Interviewed by Sharon Kennedy and Iain Blair
The colors, man. Company 3’s Dave Hussey does what he does best punching up the colors in telecine to create a warm, whimsical look. Director Chris Milk ... »
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| 05|01|2005 |
By Barbara Robertson
It’s no secret that director George Lucas is the most vocal — and most successful — advocate of fully digital feature production. Working for him is ... »
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| 05|01|2005 |
By Bryant Frazer
Why did ABC tap a Hollywood promo house to create its hour-long special, Desperate Housewives: Sorting Out the Dirty Laundry? Because the show needed short-form storytelling experts who could boil complicated... »
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| 05|01|2005 |
By Sharon Kennedy
Just like Dwight needed a hardtop with a decent engine and a big trunk in director Robert Rodriguez’s visual comic book extravaganza Sin City, The Orphanage had some specific needs of its own to fit into the... »
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| 04|01|2005 |
By Iain Blair
The show, which shoots on location all over the L.A. area, has a distinctive look, thanks to the Scotts and DP Ivan Strasburg ( Bloody Sunday, Live From Baghdad, The Corner) who was hired by director Mick... »
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| 04|01|2005 |
By Bob Fisher
FLASHBACK TO 1982: A young director named Russell Mulcahy telephoned a young cinematographer named Daniel Pearl to chat about an emerging art form called music videos. ... »
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| 04|01|2005 |
In Low’s music video "Monkey," directed and shot by Harder/Fuller Films’ Phil Harder, a group sets out in a late-night car ride that smacks of the supernatural. We just know there’s something... »
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