ER Goes Red in the Home Stretch

The popular medical TV episodic ER is winding down after a 15-year run. But it’s going out with a bang: after the entire run was filmed on 4-perf 35mm, the last seven episodes were shot with the Red camera.»

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Creating New Video Footage of Abraham Lincoln | High Quality on a Low Budget for Spanish Vampire Miniseries Gabriel | Solid Design for VH1's I Know My Kid's a Star

ILM Builds the Bots for IMAX Shots in Transformers Sequel

With over 52,632 parts and nearly 12 million polygons, the robot is the biggest model Industrial Light & Magic has built in its 30 years of model making. And they built the bot for IMAX shots. »

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Co-Producer Bryan Carroll on the Tech Behind Public Enemies | DP Dante Spinotti on Public Enemies | Director Duncan Jones on Low-Budget Moon

Hi-Test Graphics and FX

Santa Monica's Eight VFX brought its knack for sophisticated motion graphics and traditional CG work to "Efficient Dynamics," a BMW spot that compares the engineering features of the new BMW Series 3 to the attributes of a competitive swimmer. »

Beyond Final Cut Pro, Red Workflow Options Abound

It is possible to work with .R3D files even without formal support in your editorial tools — just work out the conversion to DPX files. »


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