Recent stories on high def production and post appearing in our other titles

Spotlight on Stock Footage: Phantom Slo-Mo [Studio Monthly]

Phantom Slo-Mo Shown for the first time at NAB, Artbeats’ new Ultra collections are the latest additions to the company’s Ultra footage line, which features 1000 fps (frames per second) slow-motion footage. »

 

Spotlight on Stock Footage [Studio Monthly]

Mammoth RED Clips Mammoth HD is expanding its RED 4K library with the addition of several new offerings. »

 

Flexible Handling [Studio Monthly]

Stantron introduced the Glide and Turn equipment rack for use in professional and consumer environments at this year’s InfoComm Expo in June. »

 

More than a TV [Studio Monthly]

Improved LCD Technology, first developed and deployed in consumer televisions, finally finds its niche in the professional monitoring and display market. »

 

At the Touch of a Finger [Studio Monthly]

FOR-A released the MPB-100VW Video Writer, which, first shown at NAB 2008, will also be featured at the company’s booth at InfoComm 2008 (Booth C2316). »

 

In This RedCine Workflow, Post-Production Starts On Set [Film & Video]

When M2G Media in Irvine, CA, was hired by a global marketing firm to create a video piece introducing the new design for the 2009 Nissan Maxima at the New York Auto Show, M2G producer Jeff Granbery saw Red. »

 

Speed Racer's 'Photo Anime' Workflow [Film & Video]

When the visual effects crew for Speed Racer arrived in Berlin four months ahead of production, they put systems into play that would rock filmmaking. With visual effects occupying an increasing amount of screen time in films, tasks formerly thought of as post production have moved further upstream and visual effects artists have taken on a more integral role in production. Speed Racer drives that notion to the extreme. “On Speed Racer, I believe post-production began on the very first day,” says John Gaeta, co-visual effects supervisor. »

 

Spotlight on HD: Fast Switch [Film & Video]

Focus Enhancements announced a new stand-alone HD video switcher, the HX1. The switcher has active loop-through on all inputs. »

 

Spotlight on HD: No Noise in Real Time [Film & Video]

FOR-A will introduce the DNE-2, a real-time video noise eraser, at NAB. The DNE-2 removes grain and dust noise from video that’s been converted from film. »

 

Spotlight on HD: Switcher of All Trades [Film & Video]

Each of the three new Slate HD models includes: a switcher with up to six keyers and DVEs, multi-view monitoring, a Harris Inscriber CG, and a clip store. »

 






New Switchable-Compression AJ-HPX2000 P2 HD Camcorder
Canon and Fujinon Define "Action" Differently for HD Production
New Monitor Technologies Target HD Production
I Want My HDTV, I Think. Maybe ...
60-Second Q&A:
Mailbag
   




Film Set Designer Beleza Productions
Makeup Artisit AFI (American Film Institute)
ADOBE PREMIERE AND FINAL CUT PRO EDITOR DreamStaffing
Camera Operator/Editor Media - News
DP & Department Heads media-match
PA's needed for Feature Film Dean Production Group
Online Editors, Content Editor Obsessed With Film
Crew Needed for Super 16 Film HOLE


Expert Training on After Effects, Final Cut Pro, Avid Media Composer, Premiere, Boris, Lightwave, Flash, Trapcode Form and Particular, Sony XDCAM and much more!. All DVDs are 10% off!!!!









Subscribe to StudioDaily Podcast

    contact HD studio editor   subscribe  
  get more tips and tricks for production and post production   contribute to HD studio   get your DI studio delivered  
 
Hands-On HD tips and tricks for production and post from the top pros in the industry.

   
DI Studio Check out our print publication Studio Monthly and click here to get it delivered to your doorstep.
 
           
    HD STUDIO © 2008 Access Intelligence LLC. All Rights Reserved.