Game Programmer - Mashiyu Entertainment - Orlando, FL Mashiyu Entertainment 3D Generalist - Hatch Studios Ltd - Toronto, Canada Hatch Studios Ltd Head of Producing, Production Design & Post-Production - Vancouver Film School - Vancouver, Canada Vancouver Film School Character Animator - Rockstar North - Edinburgh, United Kingdom Rockstar North Senior Software Developer - Disney ABC Television Group - Glendale, CA Disney ABC Television Group Senior ActionScript Programmer, Games Developer - Disney Online Studios - Kelowna, Canada Disney Online Studios Vice President of Digital Media - Disney ABC Television Group - Burbank, CA Disney ABC Television Group Storyboard Director - Nerdcorps Entertainment Inc. - Vancouver, Canada Nerdcorps Entertainment Inc.
Record, Playout SD/HD at Live Events with the Grass Valley T2 iDDR
This tutorial explains how to record clips, import media from other digital devices, play and trim clips, and finally how to create a playlist, first in Front Panel Mode, then in Workstation Mode. »
How Renegade Expanded Its MPEG-2 Workflow
One of the bottlenecks in Renegade’s workflow historically has been its system for encoding files for MPEG-2 based deliverables. Now, Renegade has retired that solution in favor of a StreamZHD server from Digital Rapids connected to its Unity and a 4 TB NAS box. »
PreSonus Studio One
Being a longtime user of PreSonus hardware products, I have to admit, I was very excited when the company first announced Studio One in 2009 to the world on its Web site. Already known for world-class AD/DA audio interfaces, like the FireStudio and FirePod, PreSonus seemed primed to eventually create matching software. »
FX of Romance—Digitally Expanding the Scope of Leap Year
While Leap Year , which follows the heroine played by Amy Adams' search for love in Ireland, is definitely green, it's not what you'd necessarily think of as a greenscreen film. »
Production Workflow for Investigation Discovery's The Shift
Footage for Investigation Discovery's reality crime show The Shift is captured on location by a mere two shooters who double and triple as producers and directors, wielding Sony HVR-Z1U HDV cameras with Sennheiser shotgun mics. »
Editor Lisa Gunning on Nowhere Boy
Editor Lisa Gunning got her big break in 1998, when she stumbled into a gig working with director Anthony Minghella on a short project for Comic Relief. F&V asked her about collaborating with director Sam Taylor-Wood, editing a music-heavy feature, and her career to date. »
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Top Spot: Polaroid Fame's "We Live Your Life," winner of Studio's Stock Spot Fest
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