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• Film Set Designer Beleza Productions
• Makeup Artisit AFI (American Film Institute)
• ADOBE PREMIERE AND FINAL CUT PRO EDITOR DreamStaffing
• Camera Operator/Editor Media - News
• DP & Department Heads media-match
• PA's needed for Feature Film Dean Production Group
• Online Editors, Content Editor Obsessed With Film
• Crew Needed for Super 16 Film HOLE
Using this method I've successfully improved a number of soundtracks. Sometimes though the background or foreground is such that trying to remove the noise compromises what's left too much. One trick to extend the range of the tool is to keep the reduction slider to no more than 70%, which seems to retain the integrity of the signal, then repeat the process. >>
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Remove Unwanted Noise from Clips in Apple Soundtrack Pro 2
In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post... »
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The Ins and Outs of RedCine
In this video from AlphaDogs Editors' Lounge, Kevin Stanley of Red explains exactly what RedCine can do and how to optimize the workflow to get your Red files into your NLE efficiently. »
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Seeing Sound
With the release of the Sony CineAlta F23 camera system, music video creators now have a real alternative to film-based acquisition. The camera’s picture clarity, adjustability and compatibility with film camera accessories would also give us the ultimate in creative freedom. »
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IMAXimizing The Dark Knight
The Dark Knight, the latest “episode” in the Batman series, opens July 18 to great anticipation. The film is made more compelling and poignant by the death of Heath Ledger, who from what we can see in the film’s trailer, plays a very dark Joker. But, for aficionados of “behind-the-scenes” stories, The Dark Knight is compelling for other reasons. »
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Production Sound Mixer Mark Ulano Talks Tech
Production sound mixer mark Ulano won an Oscar for his work on Titanic. F&V asked him about the latest in audio gear and got his thoughts on the potential of the coming digital broadcast transition to wreak havoc on diversity wireless-mic systems. »
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Producing The Gene Generation
Producer Keith Collea talks about the techniques employed on The Gene Generation, from pre-production all the way through to screening the film, to make this futuristic, sci-fi thriller on a shoestring budget. »
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Client - AutoCarro; Production Co. - Ministério Dos Filmes; Director - José Pedro Sousa; Post Co. - Rushes ... click here for more information.
For "Top Video of the Week" click here. |
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