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| 10|02|2008 |
Digital TutorsThis video tutorial from the Digital Tutors' training DVD "Introduction to ICE in XSI 7" gives an overview of how the ICE system works and how to get started building projects within this intuitive interface. ... »
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| 10|01|2008 |
Lonzell WatsonThere is no substitute for acquiring the best audio you can while in production, but the audio cleanup tools can be a lifesaver if the possibility for a re-shoot is a no-go.... »
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| 09|26|2008 |
Harry Frank, Gray MachineIn this video tutorial (runtime: 39 minutes) motion designer Harry Frank shows how to create cool 70s'-style graphics in After Effects. Watch the techniques and tools used to go retro with your graphics. ... »
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| 09|01|2008 |
Mike WalshThe key to this workflow is making sure you’re in the correct project type for the step. To assign a tape name to P2 clips or transcode to Avid DNxHD, you must be in 1080 mode. To transcode to low-res, SD (NTSC) mode, and to relink to P2, you must be in 720 mode and set the raster type to DVCPro HD.... »
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| 09|01|2008 |
Anthony DelgadoIn the twenty five years I have been employed as a freelancer I have seen countless iterations of the latest technological wonder come and go, all of which have required re-tooling existing workflows and on-set protocols. The current role I address on set is to comprehensively incorporate a diverse number of digital camera systems and formats, as well as streamlining the technical and creative workflows for a particular project.... »
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| 09|01|2008 |
Derrick AbeytaBoris RED is a very powerful compositing program. The deeper you dig into it the more you’ll find. Don’t be afraid, though. There are plenty of presets and style patterns to learn from.... »
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| 08|01|2008 |
Robert W. Walker and Mo FitzgibbonWe were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot.... »
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| 08|01|2008 |
David HillStep 1 CREATE YOUR COMPOSITION Before you do anything else, it’s extremely important to plan out your scene. First, make sure you’re happy with the overall composition. This will give you a better idea of... »
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| 08|01|2008 |
Matt ChandlerRemember to sleep and eat when in the middle of a busy and time-consuming project! If you’re tired and struggling to solve a problem into the early hours, you are going to be even more tired and unproductive the following day.... »
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| 07|01|2008 |
Ryan Scott FitzgibbonThere are three methods to decode Dolby Pro Logic II– encoded audio using a hardware-based workflow: with Holophone D-CODE; with an A/V receiver that has a built-in Dolby Pro Logic II... »
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| 07|01|2008 |
Lonzell WatsonIn this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post...... »
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| 06|23|2008 |
Dover StudiosIn this video tutorial learn how to use an environment map to create a highly reflective metallic surface in Maya.... »
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| 06|18|2008 |
Dover StudiosIn this video tutorial learn how bump and displacement mapping can be used to simulate surface relief in Maya.... »
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| 06|01|2008 |
Michael PhillipsMetaCheater lets you select one or more QuickTime movies, and through a variety of settings, you can work with any number of workflows, depending on the metadata extracted. It’s a great way, for example, to work with QuickTime files associated with a RED Camera workflow, as I explained in my previous tutorial in the April issue.... »
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| 06|01|2008 |
Ray BrooksbyGrass Valley recently updated the MediaEdge video distribution system to support delivery of mixed media content. Video, still graphics, scrolling text, animated Flash, and HTML can now be combined on a single display. I’ll show you how you can use MediaEdge to publish digital signage using the new Display Content Manager, or DCM.... »
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