Sr.Mgr. Creative, Jonas Brothers Disney
Computer Graphics / 3D Modeling SPARTA, Inc.
VP, Post Production The Walt Disney Studios
Animator - Bioshock 2 2K Marin
Digital Artist Lucasfilm Animation
Production Supervisor GameStop
Senior Animator THQ, Kaos Studios
3D Artist / Designer II Wagerworks


Expert Training on After Effects, Final Cut Pro, Avid Media Composer, Premiere, Boris, Lightwave, Flash, Trapcode Form and Particular, Sony XDCAM and much more!. All DVDs are 10% off!!!!

Camera-Man vs. Wild
The survival show Man vs. Wild follows outdoorsman Bear Grylls through some of the harshest environments on Earth. What may be more impressive, at least to those in the production biz, is that a cameraman is undergoing the same ordeals of climbing down waterfalls, jumping out of helicopters and swimming through rivers while still shooting. DP/Cameraman Simon Reay talks about battling the elements, devising a camera package and workflow that would withstand whatever Mother Nature throws at them, and how his job, like outdoor survival itself, essentially boils down to willpower. »

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Panasonic Announces Availability/Pricing for AG-HPX170 P2 HD Camcorder »
Panasonic Announces New Series of P2 Workflow Workshops »
Panasonic Unveils Six New Additions to P2 HD Line-Up »
Panasonic Announces 64GB P2 Card »
New P2 Mobile Offers Extended Record/Playback in the Field »
Panasonic Ships HVX200 with Free 16GB P2 Card »
Panasonic to Ship 1080P AJ-HPX3000 P2 HD Shoulder-Mount Camcorder »
Panasonic Intros 32GB P2 Memory Card »
Panasonic Ships New AG-HPG10 “P2 Gear” »


Panasonic AG-HVX200
The era of having to buy or rent separate cameras for each type of production seems to be coming to an end. The Panasonic AG-HVX200 acts as the poster child for media convergence by placing the affordable »

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Exclusive Video: Panasonic HVX200 Workflow »
Panasonic AG-HVX200 DVCPRO HD P2 Camcorder »


Post a (Very) Large P2 Project with Avid Unity ISIS and Avid Media Composer 3.0
The key to this workflow is making sure you’re in the correct project type for the step. To assign a tape name to P2 clips or transcode to Avid DNxHD, you must be in 1080 mode. To transcode to low-res, SD (NTSC) mode, and to relink to P2, you must be in 720 mode and set the raster type to DVCPro HD. »

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Edit Sony XDCAM and Panasonic P2 Media with Grass Valley EDIUS 4.5 »
Bring HVX200 P2 Clips into FCP via the FireStore FS-100 »
Cut Down on HD Editing Time with P2 Media from the HVX200 »
Shoot Slow-mo HD with the Panasonic AG-HVX200 »


From Panasonic Web site, here are the Panasonic AG-HVX200 FAQ »

Panasonic has been a leader in developing video technologies for the production industry, including filmmaking, broadcasting and other professional applications. Now we have packed a wealth of our leading technologies into an exciting new camera-recorder. »


  Panasonic AG-HVX200 Tip  
 

One of the fascinating and unique features of the new Panasonic AG-HVX200 is its ability to shoot with true variable frame rates. You can select from nearly a dozen speeds between 12 and 60 frames per second, giving you freedom to do things you could previously only do with a film camera—or, of course, the $70,000 VariCam.

— Barry Green
 
     
     
 

 

 

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