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| 10|01|2008 |
Lonzell Watson
There is no substitute for acquiring the best audio you can while in production, but the audio cleanup tools can be a lifesaver if the possibility for a re-shoot is a no-go.... »
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| 08|01|2008 |
Robert W. Walker and Mo Fitzgibbon
We were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot.... »
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| 07|01|2008 |
Lonzell Watson
In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post...... »
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| 06|01|2008 |
This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project.... »
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| 05|01|2008 |
Lonzell Watson
This technique is a simplified play on color isolation made popular by such films as Pleasantville and Sin City. It is, nonetheless, a powerful tool to command the attention of an unsuspecting audience.... »
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| 03|01|2008 |
There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format.... »
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| 03|01|2008 |
Jem Schofield
Don’t be afraid to play! The parameters in Motion are there to mess with. Give them a try; you can always undo.... »
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| 01|01|2008 |
Here’s how to add an arch to a street intersection and have a passing car or two actually drive through the modeled arch. ... »
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| 12|01|2007 |
Robert Bramwell
There’s nothing else like Avid’s script-based editing software ScriptSync on the market. No more hunting through bins for alternate takes or forgetting which one you or the director or producer likes.... »
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| 12|01|2007 |
Justin Lassen
I’ve been doing "glitch" editing since before it had a name, genre or mainstream acceptance. People always ask me how this is done, and how they can get started doing it themselves, so I decided to create a step-by-step tutorial. I’ll focus here on the creation of the tracks for our "Rolls-Royce Phantom" episode.... »
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