Prior to joining rhinofx, Rider worked for Image G (LA), Film East (NY), and Big Film Design (NY), and as a freelance artist, contributing his talents to additional successful features such as The Nanny Diaries, The Good Shepherd, Requiem for a Dream, The Green Mile, Stuart Little, and The Nutty Professor. Rider has also worked as a VFX Supervisor for major television shows, contributing to The Sopranos, and he has previously been nominated for two Primetime Emmy’s. Jim noted rhino’s major focus on film projects as a reason to make the move, commenting that “rhinofx’s dedication to features has been really evident over the last several years, both in the additional bandwidth they have available and in the quality of work on some major films. I am excited about working with their team and continuing their positive momentum.”
Jim Rider is an industry veteran with over fifteen years of visual effects experience in a wide range of capacities, adding great talent and depth to the rhinofx feature film division. Jim’s credits include extensive motion control, compositing, animation, Flame, and digital effects for companies such as Image G (LA), Big Film Design (NY), and Film East (NY). Jim also worked freelance for several years on a long line of major feature film projects, including Chicago, Frida, The Royal Tenenbaums, Requiem for a Dream, The Green Mile, Stuart Little, Titanic, The Nutty Professor, and Waterworld, and multiple Star Trek series. Jim was also nominated for two Primetime Emmys for his efforts in television and worked as a VFX Supervisor on The Sopranos. Most recently, Jim contributed his effects expertise to Across the Universe, The Nanny Diaries, Grace is Gone, and Evan Almighty; in addition Jim is also working on Synecdoche, New York, and Ghost Town.
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