A Wide Range of Options in Sub-$10,000 Solid-State Camcorders
No interchangeable lenses at that price point, but it’s built with a Fujinon 10:1 HD zoom that works in manual- or auto-focus and manual- or auto-iris modes and has a macro setting for close-up work plus optical image stabilization. The sensor configuration is a newly developed ¼-inch three-CCD affair, and images are processed through a new 1920×1080 progressive DSP.
That might not be the camera you want if you’re out to make an impression as a hardcore shooter – at little more than 14 inches from head to toe, and weighing barely over 3 pounds with battery and mic attached, it’s an unobtrusive piece of kit. If you’re looking for a shoulder-mounted camera, JVC will step you up to the GY-HM700, with its 1/3-inch three-CCD imager and a detachable 14x Canon KT14x4.4KRSJ HD lens. Like the HM100U, it offers direct-to-edit recording.
In an unusual instance of cooperation across the camera industry, JVC has teamed up with Sony to offer recording to an optional SxS solid-state media recorder in .MP4 format – you can use those files in any NLE system with presets for recordings made with Sony’s XDCAM EX cameras. Features include a pre-record mode (continuous recording to an on-board cache so you don’t miss the shot), a continuous clip mode that enables in-camera editing, combining multiple takes into a single clip, and most of the same bandwidth/resolution/frame-rate combinations found in the HM100U.
It weighs about eight pounds, including lens, viewfinder, mic and battery. Suggested list price? A still thrifty $7,995.
For more information: www.jvc.com/pro
Also this month, Panasonic announced the new AG-HPX300 ($10,700), its latest AVC-Intra enabled salvo against the MPEG-2 contingent. The new 1080i/p/720p camera, slated to start shipping in March, is built around a 1/3-inch, 2.2-megapixel progressive-scan imager with an included interchangable 17x HD Fujinon lens. It records video in variable frame rates in the AVC-Intra, DVCPRO HD, DVCPRO and DV formats.
The lightweight, low-profile shoulder-mount camera was designed to handle interchangeable lenses without being awkward for the operator. It has a ½-inch LCOS color viewfinder and a 3.2-inch LCD monitor on the side panel, and new focus-assist functionality. The camera can record variable frame rates in 720p mode, in steps between 12p and 60p. In its 1080/480 24pA mode, it can be set to employ 2:3:3:2 pulldown, which makes it easier for NLEs to extract 24-frame footage on ingest.
Also in Panasonic’s NAB line-up will be the previously announced AG-HPG20 P2 HD Portable Recorder/Player – the company bills it as a “bridge” device for shooters who want to record from HD-SDI camera outputs to AVC-Intra on P2 cards, – and the new AJ-HRW10 Rapid Writer ($9,995), a portable recorder that pairs a five-slot P2 memory drive with space for two 3.5-inch removable hard disks for quick and easy data-offloading in the field.
For more information: www.panasonic.com/broadcast
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