Rob Powers appointed Director of Entertainment and Media Development
As the creator and supervisor of the Virtual Art Department (VAD) for James Cameron’s Avatar, Rob was a key member of the primary team that conceived and pioneered a whole new approach for directors to shoot a movie within an immersive virtual nonlinear filmmaking workspace. Rob and his team used NewTek LightWave 3D as the main tool for developing the environmental assets used for the Virtual Production workflow. Baking the LightWave render engine and advanced lighting into the UV maps made it possible to provide extremely high production value to all of the real-time assets. Lush jungle scenes with all of the light and appealing atmospheric elements that Rob and his team created in LightWave 3D were viewed in real time by director James Cameron before and during on-set virtual production.
Rob’s VAD team provided detailed templates, down to the exact placement of plants, camera motion, composition of shots, lighting and atmospheric cues for the film. Ultimately, the VAD real-time environment scenes and sets developed by Rob and his team with LightWave were key to the innovative new Virtual Filmmaking workflow that Cameron used to create the movie.
Prior to joining NewTek, Rob worked with James Cameron, serving as Animation Technical Director and Virtual Art Department Supervisor for Avatar and as CG Supervisor for Aliens of the Deep. Rob also worked with Steven Spielberg and Peter Jackson, serving as Virtual Art Department Supervisor for Tintin. He worked on Disney’s Honey I Shrunk the Kids and Jet Li’s The One, and was the lead animator of the famous 3D dancing baby on Ally McBeal. NewTek also enlisted Rob to use LightWave 3D to create the first 64-bit Windows animation, which was presented by Bill Gates in a keynote address.
Rob graduated from the University of Southern California Cinema Production program and attended the Academy of Motion Pictures, American Film Institute.
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