Post-production workflow automation and synchronization tool revamped to support the huge performance breakthroughs in Adobe’s video editing software
“Adobe Premiere Pro is one of the most popular video production solutions within the industry and we’ve received a variety of requests from our user base for PluralEyes support. Once we received word of Adobe’s plans for a CS5 release, it was imperative for us to produce PluralEyes compatibility to remain at the top of the industry radar,” says Bruce Sharpe, CEO, Singular Software. “PluralEyes’ automatic synchronization, paired with its superior audio replacement feature, makes it an ideal match for Adobe Premiere Pro. We are thrilled to expand PluralEyes support to Adobe Premiere Pro CS4 and CS5 users and provide them with the benefits of our flagship product.”
“Synchronizing streams in multi-camera workflows can be time consuming,” said Simon Hayhurst, senior director product management, Digital Video and Audio, Adobe. “PluralEyes’ support for Adobe Premiere Pro CS5 software streamlines the synchronization workflow, accelerating video production for our customers.”
About PluralEyes
The PluralEyes application dramatically accelerates the workflow for multi-camera, multi-take and dual-system audio productions. By analyzing audio information, PluralEyes synchronizes audio and video clips automatically, without the need for timecode, clappers or other manual preparation. Optimized for fast performance on both Mac and PC platforms, PluralEyes now supports Premiere Pro CS4 and CS5, Vegas Pro and Final Cut Pro.
Availability and Pricing of PluralEyes
PluralEyes for Adobe Premiere Pro CS4 and CS5 will be available in beta in April with final release in Q2. Apple Final Cut Pro and Sony Vegas Pro are available to purchase now for $149 USD via the Singular Software website: http://www.singularsoftware.com.
Final Cut Pro and Vegas Pro users can also sample PluralEyes by downloading a fully functional 30-day free trial version from: http://www.singularsoftware.com/downloads.html.
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