Filmmaker Kevin McGloughlin (previously) finds instances of repetition in the world around us and then uses digital compositing techniques to extend them into absurdity, yoked to a muscular, minimalist score by Max Cooper. The results of the two artists’ collaboration feels as much of a piece with the folding, tumbling architecture of Inception as with the hypnotic reveries of landscapes and cityscapes in Koyaanisqatsi.