Echolab Sync-Generator
Nov 1, 2006
Echolab is now shipping Sync-Generator, a dual-format analog/digital system certified for use with the company's Opera series of broadcast-quality...
Broadcast Pix SLATE 100
Nov 1, 2006
Broadcast Pix is now shipping the SLATE 100 switcher, a hybrid video production switcher and workstation that is outfitted...
Dealing with Small Format Delivery
Nov 1, 2006
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
Sponsored Content
What I’m Using Now: Avid Symphony Color Corrector
Nov 1, 2006
My day to day work primarily consists of color correcting television shows and feature films. Having multiple platforms in...
What’s My Flow?
Nov 1, 2006
Joe Caterini | Executive Vice President, Sales | PostWorks, New York For many years we were basically an Avid-only...
What I’m Using Now: Tektronix WVR7100
Nov 1, 2006
Color correction is challenging enough without the added uncertainty of what your eyes are seeing on any given monitor....
Rethinking Video Production for the Cell Phone
Nov 1, 2006
It's clear that the potential for the widespread adoption of distributing video to cell phones, iPods and other compact...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
Sponsored Content
Create 3D Animated Particles in Cinema 4D with After Effects
Nov 1, 2006
Splines in MAXON's Cinema 4D are great to use as paths for Trapcode Particular particles in After Effects to...
