Directors Joshua Bonnetta and J.P. Sniadecki on Their Challenging Non-Fiction El Mar La Mar
Feb 22, 2018
Joshua Bonnetta and J.P. Sniadecki’s El Mar La Mar is a unique film that draws both on Sniadecki’s background...
Feb 22, 2018
Joshua Bonnetta and J.P. Sniadecki’s El Mar La Mar is a unique film that draws both on Sniadecki’s background...
Feb 21, 2018
The TV Convergence Working Group (TVCWG) has released a set of digital video file deliverable specifications meant to make it...
Feb 22, 2018
Panasonic’s AU-EVA1 5.7K cinema camera will support all-intraframe recording, raw output, time-lapse, and new interlaced HD formats with a...
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Feb 21, 2018
Folks. The moment has arrived when we need to dump our spinning mechanical drives. They served us well for...
Feb 20, 2018
Grammy-nominated composer Ludwig Göransson talks about his work adapting authentic African sounds for the Black Panther score — including joining...
Feb 20, 2018
Roger Deakins, ASC, BSC, became a five-time ASC Award-winner over the weekend, earning his fourth award for feature-film cinematography,...
Feb 20, 2018
John Nelson’s visual effects Oscar nomination for Blade Runner 2049 is his fourth overall. In February, he received BAFTA’s...
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Feb 16, 2018
Oscar and BAFTA nominee Ben Morris, creative director of Industrial Light & Magic’s London Studio, was the overall visual...