Stock Footage Searches Reveal Shifting Media Trends
Jan 25, 2017
We consume hundreds of images every day and, as content creators, make many more, each one representative of continually shifting...
Cut + Run Opens New Facility in San Francisco
Jan 9, 2017
Cut + Run said it has moved into San Francisco's Union Square neighborhood with three edit bays and a...
Vimeo Adds New Annotation Tools for Video Review
Jan 18, 2017
Starting today, paid users of Vimeo's Pro and Business services have access to new tools allowing clients and collaborators...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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ACE Announces Eddie Award Nominees
Jan 3, 2017
Editorial excellence across a broad range of narrative styles has been recognized this year by the American Cinema Editors,...
Editor Sebástian Sepúlveda on Assembling Jackie’s Many Layers
Dec 28, 2016
Jackie, the first film in English by Chilean director Pablo Larraín, is not and was never intended to be...
ScriptSync, PhraseFind Returning to Avid Media Composer in February
Dec 16, 2016
Avid said it is bringing back ScriptSync and PhraseFind with the release of Media Composer 8.8, scheduled for release...
Angus Wall’s “Virtual KEM” in Premiere Pro (Tutorial)
Dec 12, 2016
What does it take to make Adobe Premiere Pro Fincher-ready? VideoRevealed's Colin Smith shows a feature that he says...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Editor Joe Walker on Cutting Arrival
Dec 8, 2016
Denis Villeneuve’s new film Arrival plays with language in myriad forms: literal, intellectual, oral, emotional, visual, spatial and spiritual. Amy Adams and...
