VFX Supervisor Scott Farrar on Transformers: Dark of the Moon
Feb 6, 2012
Scott Farrar received his first Oscar nomination for best achievement in visual effects for Cocoon, and went on to...
How They Did It: The Art of Flight Opening Titles
Jan 25, 2012
Two years in the making, The Art of Flight is a sports-action film that takes audiences on an epic...
Editor Lisa Bromwell on Cutting The Surrogate
Jan 27, 2012
The Surrogate was shot on the Red One MX and edited on a software-only Avid Media Composer system by...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Director Frederick Wiseman on Burlesque Doc Crazy Horse
Jan 18, 2012
Wiseman may be best known as a pioneer of the cinema và©rità© school of documentary, which minimizes the director's...
Director Lynne Ramsay on Photography, Filming Novels, and Europeans in the U.S.
Jan 12, 2012
Lynne Ramsay's We Need to Talk About Kevin is an unconventional look at American violence. The first 20 minutes...
StudioDaily's Top 10 Stories of the Year
Dec 28, 2011
2011 was a big year for new products and Apple and Canon certainly hogged the spotlight with their...
How They Did It: Building a Skyscraper and Setting Type for a Movie Trailer
Dec 22, 2011
Hollywood design agency The Ether created a new visual of the tower for Tower Heist's trailer, using 3D graphics...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Editing Extremely Loud and Incredibly Close
Dec 22, 2011
Extremely Loud and Incredibly Close deals with one of the most fraught subjects that can be tackled by a...
