Modern Videofilm Goes the Distance on Color-Grading for Avatar
Jan 14, 2010
Modern Videofilm installed a Blackmagic Design DaVinci Resolve system at the Fox lot in Century City, then networked it...
Production Workflow for Investigation Discovery's The Shift
Jan 13, 2010
Footage for Investigation Discovery's reality crime show The Shift is captured on location by a mere two shooters who...
ANIMEX Boosts Tech to Find a Truer Jungle Color Scheme in Nitkà©
Jan 13, 2010
The animated film, Nitkà©, released in Mexican theaters last month, is about a little girl that wants to be...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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American Cinema Editors Announces Nominees for 60th Annual ACE Eddie Awards
Jan 12, 2010
American Cinema Editors (ACE) today announced nominations for the 60th Annual ACE Eddie Awards recognizing outstanding editing in nine...
ASC Names Feature Nominees
Jan 12, 2010
The winner will be announced during the ASC Awards celebration here at the Hyatt Regency Century Plaza Hotel on...
How Renegade Expanded Its MPEG-2 Workflow
Jan 8, 2010
One of the bottlenecks in Renegade's workflow historically has been its system for encoding files for MPEG-2 based deliverables....
How Weta Digital Handled Avatar
Jan 5, 2010
Avatar, director James Cameron’s second billion-dollar baby, stretched the process of making a visual effects blockbuster as much as...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Scorpions and Sennheiser Share a History of Rock
Dec 30, 2009
The Scorpions command a passionate and massive following, which has grown with their recent chart-topping release, "Humanity: Hour 1."...
