Michael Fink on the Changing Role of the VFX Supervisor
Jul 16, 2008
In this video VFX supervisor Michael Fink talks about how the role of visual effects has changed since he...
Marrying IMAX and 35mm in The Dark Knight
Jul 14, 2008
In the practical and ideological struggle between the "old world" of photochemical and the "new world" of digital finishes,...
Media 100 Introduces Version 12.7
Jul 14, 2008
Media 100, a leading provider of advanced editing systems for the corporate, broadcast, post-production, and new media industries, today announced the...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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The Role of the Preditor in Reality TV
Jul 14, 2008
"The trend is moving a lot towards editors crafting their episodes in a more producer-like manner versus a couple...
Michael L. Fink Joins Frantic Films, a Division of Prime Focus Group
Jul 11, 2008
Prime Focus Group and Frantic Films today announced that Michael L. Fink has been appointed President, Visual Effects Worldwide and will...
What Does it Take to Make 3D Work?
Jul 10, 2008
The last time F&V spoke with Fred Meyers, he was helping Star Wars - Episode III: Revenge...
When the Movie is 3D, But the NLEs Are 2D
Jul 10, 2008
Journey to the Center of the Earth, directed by Eric Brevig - a filmmaker with lots of...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Using the ASC CDL on State of Play
Jul 10, 2008
Panavision, da Vinci Systems, Gamma & Density, and Modern VideoFilm all came together at Cine Gear Expo 2008 to...
