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Cinematographer Bojan Bazelli, ASC on A Cure for Wellness

Mar 8, 2017

Bojan Bazelli, ASC, enjoyed his reunion with director Gore Verbinski — their third collaboration together — on the director’s...

Oscar-Nominated VFX Supe Craig Hammack on Deepwater Horizon

Feb 21, 2017

Industrial Light & Magic’s Craig Hammack has received his first Oscar nomination for supervising the effects in Summit Entertainment’s...

ILM Senior VFX Supe John Knoll on Rogue One: A Star Wars Story

Feb 21, 2017

Chief Creative Officer and Senior Visual Effects Supervisor John Knoll joined Industrial Light & Magic in 1986. His first...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

VFX Supervisor Steve Emerson on Kubo and the Two Strings

Feb 17, 2017

The Oscar nomination for visual effects in Laika’s stop-frame animated film Kubo and the Two Strings is Steve Emerson’s...

Avid Editor Hughes Winborne on Denzel Washington’s Fences

Feb 17, 2017

Film editor Hughes Winborne, an Oscar-winner for Crash in 2006, took on a formidable task when he started work on...

DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival

Feb 15, 2017

Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is...

Oscar-Nominated VFX Supervisor Rob Legato on The Jungle Book

Feb 14, 2017

Rob Legato’s visual effects Oscar nomination for The Jungle Book is his fourth. He has received two Oscars —...

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

John Wick: Chapter 2: Burning Rubber, Bullets and Body Counts

Feb 10, 2017

John Wick: Chapter 2 is head-shotting and body-slamming its way to U.S. theaters this weekend. Box-office forecasts say the...