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The Man in the High Castle VFX: Alternate-History Architecture

Aug 31, 2016

"Imagine my iPad filling up with swastikas like crazy," says VFX supervisor Jeff Baksinski. He's remembering the process of...

Director Robert Greene on Kate Plays Christine

Aug 23, 2016

Documentarian Robert Greene’s three most recent films — Fake It So Real, Actress and the new Kate Plays Christine — are all concerned...

Horsepower Under the Hood: Producing Graveyard Carz in 4K

Aug 26, 2016

StudioDaily discovered muscle-car-restoration reality show Graveyard Carz back in 2011, when Springfield, Oregon production company The Division had just...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

VFX Supervisor Peter Chiang on Star Trek Beyond

Aug 17, 2016

With the Star Trek franchise celebrating its 50th anniversary this year, a lot was riding on getting visuals right...

360-Degree Filmmaking Tips from “Pearl” Director Patrick Osborne

Aug 4, 2016

In a little over two months since its original release, director Patrick Osborne's Pearl, released as part of the...

Digital Colorist Dave Franks on VR Storytelling with Pure McCartney

Aug 1, 2016

Proving once again that classic rockers can leverage new media as well as the young'uns, Pure McCartney VR, a five-part...

Director Brad Furman on The Infiltrator

Jul 15, 2016

Brad Furman’s new movie, The Infiltrator, was risky for him as a young director because it’s a serious drama...

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

Already Been Chewed Gets a Different Perspective on Vans

Jul 5, 2016

Need to scratch that 3D itch? Cinema 4D maker Maxon and writer Meleah Maynard offered StudioDaily this close-up look at...