Optimus Creates a Stunning All-CG Opener for Creative Convention
Feb 3, 2016
What do you do when an assignment comes along that’s like no other you’ve received? You find the tools...
Podcast: Director Craig Gillespie on the Massive Effort Behind The Finest Hours
Jan 29, 2016
Disney’s The Finest Hours is the fifth full-length motion picture directed by Craig Gillespie, and far and away, the...
Backstage at the Eddie Awards
Feb 2, 2016
As awards’ season rambles on, the intersection between reality and fantasy was among the themes front and center at...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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DP Joe Passarelli on the Stop-Motion Wonders of Anomalisa
Jan 20, 2016
It took a Kickstarter campaign, 1,261 3D-printed faces, a bit of blind faith and a hard-working team of filmmakers...
Oscar-Nominated Editor Stephen Mirrione on Cutting The Revenant
Jan 15, 2016
Like its ferocious 19th century protagonist Hugh Glass, The Revenant has hewed an arduous path toward redemption. Filmed in remote locations...
ILM VFX Supervisor Roger Guyett on Star Wars: The Force Awakens
Jan 8, 2016
Roger Guyett should have been stressed and exhausted, but he showed no signs of it when we met at...
Is View from a Blue Moon the Best Surfing Movie Ever?
Jan 6, 2016
Billed as the first surfing film to be shot entirely in 4K, View From a Blue Moon follows surfer John John...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Melanie Oliver on Cutting The Danish Girl
Jan 4, 2016
The latest film by director Tom Hooper is the story of not one but two Danish women, soul mates...
