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ILM VFX Supervisor Russell Earl on Building a Career

Apr 4, 2014

In high school shop class where most kids build cutting boards, bookshelves, and little wooden boxes, Russell Earl built...

How They Did It: Divergent’s Mirror Room Sequence (and More)

Mar 28, 2014

Do you call a film with more than 1000 visual effects a visual-effects film? Probably not, if you don’t...

Spanish Director Julio del Alamo on Creating Commercials that Breathe

Apr 3, 2014

Spanish commercial director Julio del Alamo, who recently signed with Accomplice Media for representation here in the U.S., says...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

Inhabiting Wes Anderson’s World of Color in The Grand Budapest Hotel

Mar 26, 2014

Wes Anderson's The Grand Budapest Hotel is a welcome respite after this long winter: the film's eternal spring pinks...

Elastic Director Patrick Clair on True Detective’s Title Sequence

Mar 6, 2014

In HBO's breakout winter hit, True Detective, helmed episode-to-episode by film director Cary Joji Fukunaga (Sin Nombre, Jane Eyre) and...

DP Charles Papert on Pepsi Max’s Latest Hidden Camera Prank

Mar 5, 2014

Last May, Pepsi Max (tagline: "a zero-calorie cola in disguise") released a video online that purported to show an...

Ghost Town Media on Making Linkin Park’s “A Light That Never Comes”

Feb 21, 2014

Ghost Town Media collaborated with Linkin Park on an unconventional CG video that combines 3D scans of all of...

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

Perception’s John LePore on the World Through RoboCop’s Eyes

Feb 20, 2014

RoboCop is back, this time in a future not so far removed from our current computer-centric web of security-cam,...