Oscar-Nominated VFX Supe Richard Stammers Talks Prometheus
Feb 13, 2013
Richard Stammers, nominated for an Oscar for his VFX work on Prometheus, joined the Moving Picture Company (MPC) as...
Q&A: Creative Director Federico Ponce on Making Movie Trailers
Feb 8, 2013
You could say Federico Ponce has one of the most important jobs on Iron Man 3, even though he...
Roger Deakins Wins Top ASC Award for Skyfall
Feb 11, 2013
Roger Deakins, ASC, BSC, won the ASC award for best feature film cinematography for his work on Skyfall at...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Editor Adam Pertofsky on Cutting First “Got Milk?” Super Bowl Ad
Feb 7, 2013
Super Bowl ads may be best known for peddling chips, beer and body parts, but that didn't stop America's...
Nice Shoes Colorist Chris Ryan on “Asad”
Feb 6, 2013
For writer/director Bryan Buckley, it was time to do something different. A commercial director and co-founder of the production...
VFX Supervisor Bill Westenhofer on Life of Pi
Feb 1, 2013
Bill Westenhofer’s Oscar nomination for the visual effects in Life of Pi is his third Academy Award nomination and...
Evolve Digital Cinema Baits the Hook for NatGeo’s Wicked Tuna, Season 2
Jan 22, 2013
Brothers Joel and Jesse Edwards run their boutique production company Evolve Digital Cinema in Chicago as one tight ship,...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Kenny Stoff on Shooting Dave Grohl’s Sundance Doc Sound City
Jan 18, 2013
Housed in a pair of nondescript warehouse structures in Van Nuys, California, Sound City Studios hardly had the outward...
