Imaginary Forces’ “Hand-Drawn” Style Keeps Pace with Nike
Oct 11, 2012
Imaginary Forces has worked on many Nike projects over the years. But the CG animation they created for the...
Five Questions: DUCK Studios Animator Ned Wenlock
Oct 1, 2012
Wellington, New Zealand-based animator Ned Wenlock is on the roster of Duck Studios for commercial work in the U.S....
Color-Grading Without the Color for Frankenweenie
Oct 4, 2012
Frankenweenie, which opens tomorrow in U.S. theaters, is in some ways old-fashioned. Shot in color but released in black...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Full-CG Shots Help Tell the Story in Last Resort
Sep 28, 2012
As TV shows go, it's pretty high concept. The crew of the U.S.S. Colorado, a U.S. Navy submarine loaded with...
Five Questions: Peter Vazquez, VFX Supervisor, Keep Me Posted
Sep 21, 2012
A lot of bandwidth—and breath—has been spent in the past several weeks debating the health of the visual effects...
Under Pressure: Avid Editor John Gilroy on Cutting The Bourne Legacy
Sep 12, 2012
Everyone working on The Bourne Legacy had a tough job. Director Tony Gilroy—a writer or co-writer on all four...
Roger Deakins’ Digital Odyssey Not in 4K
Sep 10, 2012
Saturday afternoon in IBC's Big Screen Theater, celebrated cinematographer Roger Deakins, ASC, BSC, took to the stage and spoke...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Tracking in Blood, Gore, and Smoke for the “Pig Lady”
Aug 31, 2012
Filmmaker Steve Makowski was in high school when he first heard the story of the axe-wielding creature known as...
