Five Questions: Aardman Director Rich Webber
May 14, 2012
Although Aardman Animation has branched out into CG, Flash and other forms of mixed media production, Aardman director Rich...
How Weta Digital Made Gods Grapple in The Avengers
May 10, 2012
“It’s gods fighting each other,” says Weta Digital visual effects supervisor Guy Williams, describing a fight between Iron Man...
How ILM Built a Blasted-Out NYC
May 10, 2012
All the heroes for The Avengers don’t appear onscreen. With a film this dependent on visual effects, you’d have...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Five Questions: Chris Phoenix, EP/President, Phoenix Productions
May 10, 2012
New York creative studio Phoenix Productions claims to specialize in everything, functioning as a creative agency, a production company,...
Getting the Right Color for Comedy in 21 Jump Street
Apr 24, 2012
21 Jump Street may be a comedy, but it doesn’t look like one. On the contrary, much of the...
Five Questions: Patrick Donnelly, Cinema Five Films
Apr 9, 2012
New York's Cinema Five Films is a new production and post studio in the Flatiron district of Manhattan that...
Looking at Sex and the Small Town in Turn Me On, Dammit
Mar 30, 2012
Turn Me On, Dammit is a coming-of-age film, based on an already notorious book by Norwegian writer Olaug Nilssen, that...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Director Jay Kriss on Harvesting the High Plains
Mar 27, 2012
When filmmaker Jay Kriss, an experienced director of photography, decided to make his debut as a documentarian, the project...
