Film Editor Alex Rodràguez Gets Animated
Feb 11, 2010
And now for something completely different: the co-editor of Children of Men heads to Madrid to tackle an animated...
Modern Videofilm Goes the Distance on Color-Grading for Avatar
Jan 14, 2010
Modern Videofilm installed a Blackmagic Design DaVinci Resolve system at the Fox lot in Century City, then networked it...
Going Inside the Womb for BabyCenter
Jan 27, 2010
3 Dart broke down the human gestation period into seven animated segments each covering between two and four weeks...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Production Workflow for Investigation Discovery's The Shift
Jan 13, 2010
Footage for Investigation Discovery's reality crime show The Shift is captured on location by a mere two shooters who...
How Renegade Expanded Its MPEG-2 Workflow
Jan 8, 2010
One of the bottlenecks in Renegade's workflow historically has been its system for encoding files for MPEG-2 based deliverables....
Plantec's POV: GPU Acceleration: Myth or Reality?
Jan 8, 2010
Reviewing Software and hardware often doesn’t go the way you expect. When I set out to evaluate the Adobe...
How Weta Digital Handled Avatar
Jan 5, 2010
Avatar, director James Cameron’s second billion-dollar baby, stretched the process of making a visual effects blockbuster as much as...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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What Makes Invictus a VFX Film?
Dec 17, 2009
Invictus is rife with approximately 600 visual effects shots. If VFX supervisor Michael Owens has his way, audiences won't...
