Scanline VFX Supervisor Stephan Trojansky on Hereafter
Feb 22, 2011
The Oscar nomination for Hereafter is visual effects supervisor and Scanline VFX president Stephan Trojansky's first, and the...
Q&A: Film Editor David Tedeschi on George Harrison: Living in the Material World
Feb 20, 2011
The latest collaboration between Tedeschi and Scorsese is George Harrison: Living in the Material World. Here, Tedeschi talks about...
VFX Supervisor Ken Ralston on Alice in Wonderland
Feb 21, 2011
Including this year's Oscar nomination for best visual effects in Alice in Wonderland, Sony Pictures Imageworks' Ken Ralston has...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Shooting Unknown on the Streets of Berlin
Feb 18, 2011
Most of the images were captured in Super 35, many effects plates were captured on 65mm, and ...
Cinematographer Danny Cohen on The King's Speech
Feb 17, 2011
We caught up with Cohen, nominated for an Academy, BAFTA and ASC award for his principal photography on the...
Editors Angus Wall and Kirk Baxter and The Social Network
Feb 15, 2011
Film & Video got editors Angus Wall and Kirk Baxter to take a break from their work on Fincher's...
Music Mixer Scott Millan on Salt
Feb 14, 2011
As part of the three-man dubbing team on Salt, Scott Millan was the music man, charged with weaving the...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Making Pink a ‘Perfect’ Storyteller
Feb 10, 2011
It's hard to be a teenaged girl. Pink's music video for her song "F--in' Perfect," a departure from her...
