Director David Gordon Green on Pineapple Express
Aug 6, 2008
Pineapple Express marks David Gordon Green's entry into the world of studio productions, following four acclaimed indie films. Beneath...
Titles on an Epic Scale for The Mummy 3
Aug 1, 2008
The titles, which play at the end of The Mummy: Tomb of the Dragon Emperor, serve as a stylish...
Editing On-site at the Olympics
Aug 6, 2008
Pow! Pix is making its sixth trip to the Olympics. This year it qualified for the gymnastics event, creating...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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One Monster Piranha, Lots of Plug-Ins & 123 3D VFX Shots
Jul 28, 2008
Award-winning VFX studio Frantic Films VFX, a division of Prime Focus Group, created all that and more as lead...
Delivering 8K VFX Shots for The Dark Knight
Jul 23, 2008
"Chris [Nolan] has a very astute eye," says Nick Davis, the film's visual effects supervisor. "It was important for...
Hellboy II: Putting More Creatures in the Feature
Jul 21, 2008
Hellboy II: The Golden Army is populated by even more numerous otherworldly monsters than its predecessor, and...
The Role of the Preditor in Reality TV
Jul 14, 2008
"The trend is moving a lot towards editors crafting their episodes in a more producer-like manner versus a couple...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Marrying IMAX and 35mm in The Dark Knight
Jul 14, 2008
In the practical and ideological struggle between the "old world" of photochemical and the "new world" of digital finishes,...
