How to Use Maxon Cinema4D R18’s Shadow Catcher Material [Tutorial]
Feb 28, 2017
Maxon's Jonas Pilz shows a simple technique for using C4D R18's new Shadow Catcher material to render an object...
HPA Tech Retreat: Broadcasters Look Ahead to ATSC 3.0 Transition
Feb 27, 2017
With the move to ATSC 3.0 coming up in the not-too-distant future, attendees at the 2017 HPA Tech Retreat...
Creating Custom Camera Archives in Final Cut Pro X [Tutorial]
Feb 28, 2017
This one's a little esoteric, but could change the way you import your camera files to Final Cut Pro...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Boxx Upgrades VR Mobile Workstation with Kaby Lake CPUs
Feb 22, 2017
Boxx Technologies updated its GoBoxx MXL VR mobile workstation with the new Intel Core i7-7700K 4.2 GHz Kaby Lake...
ILM Senior VFX Supe John Knoll on Rogue One: A Star Wars Story
Feb 21, 2017
Chief Creative Officer and Senior Visual Effects Supervisor John Knoll joined Industrial Light & Magic in 1986. His first...
Oscar-Nominated VFX Supe Craig Hammack on Deepwater Horizon
Feb 21, 2017
Industrial Light & Magic’s Craig Hammack has received his first Oscar nomination for supervising the effects in Summit Entertainment’s...
VFX Supervisor Steve Emerson on Kubo and the Two Strings
Feb 17, 2017
The Oscar nomination for visual effects in Laika’s stop-frame animated film Kubo and the Two Strings is Steve Emerson’s...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Avid Editor Hughes Winborne on Denzel Washington’s Fences
Feb 17, 2017
Film editor Hughes Winborne, an Oscar-winner for Crash in 2006, took on a formidable task when he started work on...
