StudioDaily Dossier: Mad Max: Fury Road Production
May 8, 2015
It was a lengthy shoot, with principal photography wrapping in 2012 and a reported return to production for another...
Panasonic’s VariCam 35 Now Available to Chicago DPs
May 7, 2015
The Chicago-based Daufenbach Camera announced today it has added Panasonic's VariCam 35 native 4K camera to its equipmental rental offerings,...
Imax/ARRI Digital Camera Will Shoot the Next Two Avengers Films
May 7, 2015
Imax announced today that the next Avengers movie, the two-part sequel titled Infinity War, will be shot using, exclusively, the forthcoming large-format...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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At NAB, Vendors and Users Both Got Serious About 4K Workflow
May 6, 2015
Storage and networking were hot topics at NAB, as content creators who had successfully shrugged off questions about 4K...
New Cameras Offer 4K (and Higher) Acquisition at Every Price Tier
May 6, 2015
When it comes to image acquisition at resolutions of 4K and beyond, there's some irony in the fact that...
Renowned Mixer Kevin O’Connell Back at Sony Pictures After Seven Years Away
May 6, 2015
Re-recording mixer Kevin O'Connell is back at Sony Pictures Post Production Services, where he has completed four projects—The Boy...
Headcase DP Andrew Shulkind on the Rules of Image Capture for Virtual Reality
May 5, 2015
Cinematographer Andrew Shulkind is an avid experimenter. From film to digital, and from cameras to lenses to lights, he...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Review: GoPro Hero 4 Black
May 4, 2015
GoPro exploded on the video production scene about five years ago. The ubiquitous action cams are seen everywhere in production,...
