ILM VFX Supervisor Ben Snow on Iron Man 2
Feb 24, 2011
The visual effects Oscar nomination for Iron Man 2 is Ben Snow’s fourth. He previously received nominations for Iron...
Multiplying Soldiers in Final Cut and After Effects
Feb 23, 2011
Historical recreations are expensive. That's why director Robert Child determined that he would shoot footage for The Wereth 11...
Senior VFX Supervisor Tim Burke Talks Harry Potter
Feb 23, 2011
Tim Burke won an Oscar for Gladiator in 2000 and was visual effects supervisor for Ridley Scott's Black Hawk...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Scanline VFX Supervisor Stephan Trojansky on Hereafter
Feb 22, 2011
The Oscar nomination for Hereafter is visual effects supervisor and Scanline VFX president Stephan Trojansky's first, and the...
VFX Supervisor Ken Ralston on Alice in Wonderland
Feb 21, 2011
Including this year's Oscar nomination for best visual effects in Alice in Wonderland, Sony Pictures Imageworks' Ken Ralston has...
Q&A: Film Editor David Tedeschi on George Harrison: Living in the Material World
Feb 20, 2011
The latest collaboration between Tedeschi and Scorsese is George Harrison: Living in the Material World. Here, Tedeschi talks about...
Shooting Unknown on the Streets of Berlin
Feb 18, 2011
Most of the images were captured in Super 35, many effects plates were captured on 65mm, and ...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Cinematographer Danny Cohen on The King's Speech
Feb 17, 2011
We caught up with Cohen, nominated for an Academy, BAFTA and ASC award for his principal photography on the...
