ILM VFX Supe Patrick Tubach on Star Wars: The Force Awakens

Feb 22, 2016

To say that director J. J. Abrams’ film Star Wars: Episode VII — The Force Awakens is a success...

VFX Supervisor Richard McBride on The Revenant

Feb 19, 2016

Writer-director-producer Alejandro González Iñárritu’s intense survival film The Revenant has been nominated for 12 Oscars. Among those in contention are Leonardo DiCaprio,...

New President, New Name, for HPA

Feb 19, 2016

At the HPA Tech Retreat held this week in Indian Wells, CA, the organization made two big changes. First,...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

Ikegami Will Bring 2/3-Inch UHK-430 UHD Camera to NAB

Feb 18, 2016

Ikegami said it will show the UHK-430, a new UHD camera with a B4 lens mount, at NAB. With...

VFX Supervisor Andrew Whitehurst on Ex Machina

Feb 17, 2016

First-time director Alex Garland’s quiet, low-budget sci-fi drama Ex Machina received Oscar nominations for visual effects and Garland’s screenplay, five BAFTA...

Review: Red Giant Magic Bullet Looks

Feb 16, 2016

The problem is well recognized and longstanding, and from all indications, only getting worse: Indecisive directors who haven’t a...

VFX Supervisor Tom Wood on Mad Max: Fury Road

Feb 12, 2016

George Miller’s post-apocalyptic desert adventure Mad Max: Fury Road captivated audiences and critics with its exhilarating, relentless action and deranged visuals....

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

Panasonic Premieres Compact VariCam LT

Feb 11, 2016

Panasonic’s VariCam 35 was released to great acclaim in 2014, updating Panasonic’s flagship camera system for digital motion picture...