Filmmore Colorist Martin Klein on Western Thriller Brimstone

Mar 16, 2017

Brimstone — a brutal drama in four parts set in the American West — is the first English-language film from...

Avid Editor Hughes Winborne on Denzel Washington’s Fences

Feb 17, 2017

Film editor Hughes Winborne, an Oscar-winner for Crash in 2006, took on a formidable task when he started work on...

ILM Senior VFX Supe John Knoll on Rogue One: A Star Wars Story

Feb 21, 2017

Chief Creative Officer and Senior Visual Effects Supervisor John Knoll joined Industrial Light & Magic in 1986. His first...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival

Feb 15, 2017

Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is...

Oscar-Nominated VFX Supervisor Rob Legato on The Jungle Book

Feb 14, 2017

Rob Legato’s visual effects Oscar nomination for The Jungle Book is his fourth. He has received two Oscars —...

Director Kristi Jacobson on Solitary

Feb 6, 2017

“Immersive” is the one word every reviewer seems to use to describe Kristi Jacobson’s documentary Solitary. Airing on HBO beginning...

Director J.A. Bayona on Unique Indie Adaptation A Monster Calls

Jan 30, 2017

In searching for his next project, director J.A. Bayona found himself attracted to the children’s fantasy novel, A Monster...

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

DP Neville Kidd on Netflix’s New Sci-Fi Thriller Travelers

Jan 6, 2017

Scottish DP Neville Kidd is known for shooting genre-breaking sci-fi serials against the grain. Having lensed defining episodes of...