Editor Sebástian Sepúlveda on Assembling Jackie’s Many Layers
Dec 28, 2016
Jackie, the first film in English by Chilean director Pablo Larraín, is not and was never intended to be...
DP Greig Fraser, ASC, ACS, on Innovations in Lion
Dec 21, 2016
Greig Fraser, ASC, ACS, has received, by his own admission, quite a working education over the course of the...
Colorist Jack Lewars on Sunny but Grief-Stricken Manchester by the Sea
Dec 22, 2016
If there's one thing that's important to know about Manchester by the Sea, it's that it is a sad movie....
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Editor Joe Walker on Cutting Arrival
Dec 8, 2016
Denis Villeneuve’s new film Arrival plays with language in myriad forms: literal, intellectual, oral, emotional, visual, spatial and spiritual. Amy Adams and...
Director Art Haynie on Shooting a 360-Degree Concert Experience
Dec 1, 2016
Director-producer Art Haynie jumped into immersive video technology with a concert film that preserves for 360-degree posterity the last U.S....
Cinematographer Natasha Braier on The Neon Demon
Nov 22, 2016
Director Nicolas Winding Refn’s The Neon Demon, a visually mesmerizing, surreal gorefest set in the modern gothic world of fashion,...
Cinematographer Giles Nuttgens, BSC, on Hell or High Water
Nov 21, 2016
Cinematographer Giles Nuttgens, BSC, had been collaborating with David Mackenzie since 2003 when he shot the director's feature Young Adam — a...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Editor Blu Murray on Clint Eastwood’s Sully
Sep 21, 2016
It isn’t every day one gets invited to head up a major department on a Clint Eastwood film. Consider...
