VFX Supervisor Tom Wood on Mad Max: Fury Road
Feb 12, 2016
George Miller’s post-apocalyptic desert adventure Mad Max: Fury Road captivated audiences and critics with its exhilarating, relentless action and deranged visuals....
DP Joe Passarelli on the Stop-Motion Wonders of Anomalisa
Jan 20, 2016
It took a Kickstarter campaign, 1,261 3D-printed faces, a bit of blind faith and a hard-working team of filmmakers...
VFX Supervisor Richard Stammers on The Martian
Feb 10, 2016
Director Ridley Scott’s film The Martian finds astronaut Mark Watney (Matt Damon) stranded on the red planet with little...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Oscar-Nominated Editor Stephen Mirrione on Cutting The Revenant
Jan 15, 2016
Like its ferocious 19th century protagonist Hugh Glass, The Revenant has hewed an arduous path toward redemption. Filmed in remote locations...
Melanie Oliver on Cutting The Danish Girl
Jan 4, 2016
The latest film by director Tom Hooper is the story of not one but two Danish women, soul mates...
Cinematographer Manuel Billeter on Shooting Netflix’s Jessica Jones
Dec 28, 2015
She’s not your typical superhero. Starring Krysten Ritter as the title character, Netflix hit series Jessica Jones tells the story...
Editor Alan Bell on The Hunger Games: Mockingjay – Part 2
Dec 28, 2015
A brooding, female-driven fight to the death against hypocrisy and political corruption, The Hunger Games: Mockingjay – Part 2 closes...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Cinematographer Ed Lachman, ASC, on Carol
Dec 4, 2015
Carol, a likely Oscar contender with Cate Blanchett in the title role, has been picking up critical momentum, recently sweeping...
