Co-VFX Supervisor Pat Tubach on Transformers: Age of Extinction

Jul 9, 2014

Industrial Light & Magic’s Pat Tubach brought eighteen years experience as a compositor, compositing supervisor, and co-visual effects supervisor...

Grading House of Cards in 4K: It’s Scary Because It’s Real

Jun 4, 2014

Working on a show for Netflix isn't your typical episodic TV job. For one thing, an entire season of...

Modern VideoFilm Colorist Aidan Stanford on Grading Modern Family

Jun 11, 2014

It's been a busy past few months for Aidan Stanford, a former color timer who is now a digital...

DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More

Nov 7, 2019

To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...

Wildlife Documentary Tips from the Heart of Gator and Croc Country

Apr 25, 2014

This Sunday, Nat Geo Wild airs Florida Untamed, the latest installment in its Destination Wild series. Produced by Miami's...

Under the Skin’s Scarlett Johansson Hits the Streets with the One-cam

Apr 23, 2014

Under the Skin, a science-fiction arthouse film that just crossed the $1 million mark at the U.S. box-office, is...

ILM VFX Supervisor Russell Earl on Building a Career

Apr 4, 2014

In high school shop class where most kids build cutting boards, bookshelves, and little wooden boxes, Russell Earl built...

Inhabiting Wes Anderson’s World of Color in The Grand Budapest Hotel

Mar 26, 2014

Wes Anderson's The Grand Budapest Hotel is a welcome respite after this long winter: the film's eternal spring pinks...

ShotPut Pro integrates with Frame.io

Oct 24, 2019

The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...

Elastic Director Patrick Clair on True Detective’s Title Sequence

Mar 6, 2014

In HBO's breakout winter hit, True Detective, helmed episode-to-episode by film director Cary Joji Fukunaga (Sin Nombre, Jane Eyre) and...