StudioDaily Dossier: Mad Max: Fury Road Production
May 8, 2015
It was a lengthy shoot, with principal photography wrapping in 2012 and a reported return to production for another...
Go In Close with ARRI’s New, Downsized Alexa Mini
Feb 23, 2015
Top-notch imaging has made the ARRI Alexa a huge hit in both feature-film and television production, but many DPs...
ARRI Alexa SXT to Record Both UHD and 4K to ProRes Files
Mar 18, 2015
Borrowing electronics from the new Alexa 65, the next generation of ARRI's Alexa camera will record both ProRes 4K...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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ARRI Enables 3.2K ProRes Recording with Latest Alexa Update
Feb 17, 2015
The ARRI Alexa's 3.2K ProRes upgrade has gone live with the release of Software Update Packet (SUP) 11.0, which adds the...
Editors Stephen Mirrione and Doug Crise on Birdman’s Ultimate Disappearing Act
Dec 17, 2014
An editor's best work is never meant to be noticed when watching a film. But imagine the ultimate hat trick:...
Shot with ARRI Alexa: Birdman
Nov 19, 2014
https://www.arri.de/news/news/emmanuel-lubezki-asc-amc-on-birdman/
Quantel Adds Sony, ARRI Feature Support to Pablo Rio
Sep 19, 2014
Quantel updated the Pablo Rio at IBC, supporting long-GOP XAVC, S-log3 and S-Gamut3 for Sony cameras as well as Apple's...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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ARRI Announces 3.2K Alexa Format for High-Quality UHD Upscales
Sep 2, 2014
ARRI continued to expand its 4K acquisition strategy this week with the announcement of ProRes 3.2K, a new Alexa...
