Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
Jul 25, 2017
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating...
Colorist Jack Lewars on Sunny but Grief-Stricken Manchester by the Sea
Dec 22, 2016
If there's one thing that's important to know about Manchester by the Sea, it's that it is a sad movie....
DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival
Feb 15, 2017
Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Pixspan PixMover Promises 4K Workflow on HD Infrastructure
Jul 14, 2016
Pixspan shipped its PixMover software package, which it says uses Pixspan's lossless compression technology to reduce storage and bandwidth...
Prime Profile: Light Iron
May 28, 2014
From the day StudioDaily Prime Award winner Light Iron opened its doors in 2009, the post-production facility has been an...
How Elysium’s 4K DI Integrated Editorial and VFX
Jul 31, 2013
Director Neill Blomkamp made his mark on the movies with 2009's District 9, a VFX-heavy science-fiction allegory anchored by...
Colorflow Opens 7500-Square-Foot Berkeley Facility
Jan 7, 2013
Color-grading facility Colorflow opened a new 7500-square-foot studio with three grading and finishing suites and a DCI-compliant 22-seat DI...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Color-Grading Without the Color for Frankenweenie
Oct 4, 2012
Frankenweenie, which opens tomorrow in U.S. theaters, is in some ways old-fashioned. Shot in color but released in black...
